“El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense

Authors

  • Juan Ariel Gómez

DOI:

https://doi.org/10.35305/b.v6i11.223

Keywords:

Performance, Memory, Disidentification, Flight, Lemebel

Abstract

I examine in this work the critical potentialities that a documentary filmed in 2009 enables with regard to the life and work of the Chilean performer, chronicler, and narrator Pedro Lemebel (1952-2015). The flight as a movement of displacement –between frontiers, between genders and genres, between performativities– establishes an epistemology of difficulty recontextualized in Pedro Lemebel, corazón en fuga, Verónica Qüense’s documentary. My proposal for reading this documentary decidedly circulates throughout questions of images, signs, and historicization, or memorialization. Not only does it purport the refiguration of flight as an identitary slippage, both generic and sexual, but it also understands it as a productive epistemological difficulty. What is more, it assesses discussions on the performative act of disidentification and both its aesthetic and political implications.

Author Biography

Juan Ariel Gómez

Es docente e investigador en la Facultad de Humanidades, Universidad Nacional de Mar del Plata. Con una beca Fulbright terminó una maestría en Literatura Comparada en SUNY, Stony Brook en 2007. En mayo de 2015 defendió su tesis doctoral en el Departamento de Lenguas Romances de la Universidad de Pennsylvania.

Published

2016-09-21

How to Cite

Gómez, J. A. (2016). “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense. Badebec, 6(11). https://doi.org/10.35305/b.v6i11.223