La escucha y sus párpados

Abstract

The article investigates the mechanisms of interpretation and reading are made in the act of listening and performing in loud voice from a transposition of the idea of " spot" in the eye (Didi-Huberman 1997) or " rake " to the ear (Berger 2014). Limits and modulators would look, sound could interrogate those defined territories for the ear. The article analizes the performance on voice made by Federico Leguizamón and in the record Literatura que suena. 10 clásicos de la literatura argentina convertidos en canciones (Clase Turista 2014).