Projected writing: poetry and visuality in Lejano interior (2020) by Mariano Llinás

Authors

  • Anaclara Pugliese Universidad Nacional de Rosario

DOI:

https://doi.org/10.35305/b.v11i22.541

Keywords:

Poetry, Cinema, Mariano Llinás, Travel, Objects

Abstract

On several occasions the appropriations that Mariano Llinás's cinema makes on procedures typical of literature, more specifically narrative, were studied. Voice-over has been analyzed as a mechanism that links his cinema with fictional narration. During isolation due to the COVID-19 pandemic, Llinás was unable to go outside to film his monumental films, but he shot inside his house Lejano interior (2020), a medium-length film that takes his cinema to an “out of it” also from literature, but this time in dialogue with a genre that until now had not been reappropriated in his films: poetry. The objective of this work is to analize the medium-length film / poetry book Lejano interior from its continuities and distancing from the use of voice-over in Historias extraordinarias (2008), both productions essentially related by the common purpose of bringing word and image closer together.

Author Biography

Anaclara Pugliese, Universidad Nacional de Rosario

Profesora en Letras por la Universidad Nacional de Rosario. Desde 2010 realiza colaboraciones para diferentes diarios y revistas: crónicas, entrevistas, reseñas. Publicó La sombra de las nubes (EMR, 2017), Dos poemas (Ediciones Arroyo, 2019) y Megafauna (Menta Zines, 2019).

Published

2022-03-28

How to Cite

Pugliese, A. (2022). Projected writing: poetry and visuality in Lejano interior (2020) by Mariano Llinás. Badebec, 11(22), 96–119. https://doi.org/10.35305/b.v11i22.541

Issue

Section

Artículos