Projected writing: poetry and visuality in Lejano interior (2020) by Mariano Llinás
DOI:
https://doi.org/10.35305/b.v11i22.541Keywords:
Poetry, Cinema, Mariano Llinás, Travel, ObjectsAbstract
On several occasions the appropriations that Mariano Llinás's cinema makes on procedures typical of literature, more specifically narrative, were studied. Voice-over has been analyzed as a mechanism that links his cinema with fictional narration. During isolation due to the COVID-19 pandemic, Llinás was unable to go outside to film his monumental films, but he shot inside his house Lejano interior (2020), a medium-length film that takes his cinema to an “out of it” also from literature, but this time in dialogue with a genre that until now had not been reappropriated in his films: poetry. The objective of this work is to analize the medium-length film / poetry book Lejano interior from its continuities and distancing from the use of voice-over in Historias extraordinarias (2008), both productions essentially related by the common purpose of bringing word and image closer together.