El despertar de la imagen en Juan José Saer. Notas sobre El limonero real.

Abstract

Considering, as a point of departure, El limonero real (1974), I develop a reading proposition that supposes a thought about the image/gaze in the deployment of Juan José Saer's literature. With the aim of characterizing this thought I underline the recurrence of the presence of awakening and its articulation with the figurability that images encounter under the form of the gleam.