Artes en cruce: autorrepresentación y teatralidad. En torno de Rapsodia Inconclusa de Nicola Costantino
DOI:
https://doi.org/10.35305/b.v6i11.215Keywords:
Intersection of the arts, Contemporary theatre, Nicola CostantinoAbstract
This article is part of a larger ongoing research regarding contemporary theatre and its relations with different artistic disciplines, such as painting, photography, sculpture, installations, and video. As a stage in this process, the author undertakes a general survey of the artwork of Nicola Costantino (1964, Rosario, Argentina), aiming to determine to what extent an approach that focuses on the intersection of the arts and their resulting interaction can truly enrich the interpretation of the artistic output.