Cortázar y la técnica: Continuidades y discontinuidades en la autopista del sur

Authors

  • Laureano Ralón

DOI:

https://doi.org/10.35305/b.v6i11.208

Keywords:

Cortázar, Heidegger, Philosophy, Technics

Abstract

This work of anthropological poetics proposes a speculative approach to the celebrated tale by Julio Cortázar, “The Southern Thruway”, aiming to articulate an effective interdisciplinary connection that posits the Argentine writer as an early critic of late modernity’s technological rationality. The analysis focuses on the cortazarian figure of the “centipede” –that human-machine hybrid which emerges from the traffic jam as a kind of semi-autonomous assemblage– and explores its functioning as an ontological metaphor for the literary understanding of the technological phenomenon. Through a dialogue with the philosophies of Andrew Feenberg, Martin Heidegger, and other philosophers, we discover, in the texture of the narrative, a cortazarian conception of technics that equally transcends technophobic pessimism and technophilic fascination, foreshadowing a critical theory of technology in line with Feenberg’s philosophy.

Author Biography

Laureano Ralón

(Buenos Aires, 1977) es licenciado y magíster en ciencias de la comunicación por la Simon Fraser University de Canadá, donde se desempeñó como asistente de cátedra (Center for Online and Distance Education) e investigación (Center for Policy-Research on Science and Technology, New Media Innovation Center); trabajó como intérprete (The Provincial Language Service of British Columbia) y fundó el portal de difusión académica Figure/Ground Communication (www.figureground.org). En Buenos Aires, dirigió el Observatorio de Canadá del Centro Argentino de Estudios Internacionales. Es ensayista, traductor y corrector

Published

2016-09-21

How to Cite

Ralón, L. (2016). Cortázar y la técnica: Continuidades y discontinuidades en la autopista del sur. Badebec, 6(11). https://doi.org/10.35305/b.v6i11.208