Los erizos del oro en la poesía de Arturo Carrera y la construcción de un método de lectura posible.

Abstract

In the following paper we will test an archifilological reading of the work of the Argentine poet Arturo Carrera, more precisely, of the beginnings of his writing. This reading will confront us with at least two concerns. First, in what way it is possible to see the power of file appear in his poetic work. The second, what traditions and what dimensions are activated in the work from that perspective, taking as starting point the cosmological map Momento de simetría (1973), Oro (1975) and Mi padre (1985), beyond its baroque filiations. Both questions will help us see if it is possible to configure a reading method for the assembly of a particular historical tour that operates with the temporary flashes or golden urchins that the poetry leaves in sight, to be activated again in another time and place of work.